A Session Diary

For some time now, as followers of this little blog will know, I have been bemoaning the dwindling attendance at Irish Traditional Music Sessions and pondering on innovative ways of getting more players in.

We have now, very sadly decided to cancel the Wednesday night Irish session as it never makes critical mass, so never really becomes a session. The same is true of one of the Sunday Irish sessions as well – the Ship at Ospringe will probably be cancelled too.

I suspect that it’s a law of diminishing returns which started when the session began its nomadic wander in the wilderness after the George on Stone Street closed. When a session is large and vibrant, it attracts more players both good and beginners. The beginners can hide better and learn, and the good ones are glad to be part of a ‘good’ session. As the numbers decrease, musicians are lost from both ends of the spectrum. The beginners have nowhere to hide, feel intimidated and go away. The good ones feel they are keeping it going or that it just isn’t ‘good’ any more – doesn’t have the buzz of a large session, and are less motivated to come out and play.

Before you know it, you’re down to a few dedicated players who try not to let the music die. In the end it ‘s probably kinder to put it out of its misery. 

The nomadic ways haven’t helped but the smoking ban and change of ownership of many pubs have taken their toll. The recent change of venue may have been a move too far. 

Thank you to all those who supported the Irish Session over the years at whichever session  you pitched up in – Wednesday or Sunday (George Stone Street, Hop Pocket Bossingham, Chequers Selstead, Geeorge Stone Street (2)Rose and Crown Stelling Minnis, Anchor Wingham, George Molash, Anchor Wingham (2)Shipwrights Oare Creek, Compasses Crundale, Anchor Faversham, Prince Albert Deal, Sportsman Dover, Olde Beverlie Canterbury, Chequers Challock and I’m sure there are some I’ve forgotten).