A Session Diary

I can’t believe how long it’s been since the last post so apologies to any ardent sessiondiary fans who have been deprived of their regular fix! I don’t know how being retired actually gives you less time than when I worked but it does.

Anyway, lots has happened in the world of sessions so it’s worth a foray into the weird and wonderful world of the music session as observed by a humble sessioneer.

Firstly then the regular weekly Irish session which has been the topic of very mixed fortunes over the years. Not only is it still alive but it is reasonably well and sitting up, taking solid food and being cheeky to the nurses. This is due in equal measure to the absolute stalwarts who refuse to give in and the itinerants who are always most welcome. Susanna is back for a visit, Johnny has passed by again and we’ve had a variety of musicians drop in for an odd week. Yes, I know most weeks are odd. A disproportionate number of percussionists but that was OK. Honest, it was. They could keep time and everything. Without counting out loud!

One highlight was a visit by Fred the banjo (Freddie Legon) and his wife – a one time banjo player with Humphrey Littleton among others who enjoyed what we did. We discovered after he’d left that he’d put a pot behind the bar for all the musicians to have a drink on him. What a star! Sadly no longer playing because of Parkinson’s but a legend in his time. The audiences have become somewhat more appreciative of late so maybe things are looking up for the diddly-eye music :-)

Nice to see Ford back with us as well although we’ve lost a couple of regulars recently. Well, not lost, more like misplaced. I’m sure they’ll turn up somewhere.

Absolute scandal that the Hops Festival this year was not in any way shape or form either family or folk friendly. Several people have remarked on it. One or two without using expletives which shows great restraint and an education. No sessions organised at all and precious few folk bands. Wheeler Street got 16:00 on Sunday – great slot guys! If it’s like that again next year, I’m not going.

Still we pitched up where there was allegedly some kind of event (at the Bull – how far out can you get?). It turned out to be a sing-around in the garden. From what I heard it was a finger-in-the-ear, have-you-brought-your-copy-of-the-folk-book-of-penguins. All together now “page 97 – all 23 verses as slow as you can” kind of event so we slipped away before being spotted.

Barbs and I went in the bar, blagged a corner and got the landlords blessing to play. I had to leave after an hour and a half but I heard it grew and grew and was still going 5 hours later. Good on yer!

Broadstairs was ….. well, Broadstairs. Good sessions with Paul Lucas as usual and a couple of nice days. One with Keith Kendrick and Sylvia Needham and the other with Chris Taylor. Usual crowd in the Nelson. What more can be said?

The Tales continues to be an enjoyable if rather bizarre session at times. Where else could you hear a elderly transvestite singing parodies of Irish songs, Oops I did it again sung by a male with a 5-string banjo, Greek bouzouki music on a tenor banjo and somewhere a load of Irish tunes played very well.

Well just a reminder that this weekend is Deal festival and apparently I’m leading a session in the Ship from 2 – 5 on Saturday so if you want to pop in for some tunes, I’d be delighted to see you. It’ll be a mixed, whatever-happens session and I’ll probably lead mostly English. Unless a large Irish contingent turns up of course :-)

Right! Off to the George for the regular weekly Irish.

I hope everyone has survived the Northern Hemisphere’s syncretic winter festival. I don’t know what the Southern Hemisphere does but as so much of our tradition relies on the days getting shorter up to the Solstice and then longer again afterwards, many of them won’t make sense if you live near the equator.

The fortunate timing of the Christmas holidays means that the regular Wednesday and Thursday sessions aren’t affected so there is relief for all the sessioneers from the forced proximity of family for extended periods of time.

It is good to see the traditions being upheld, particularly in Faversham where Christmas wouldn’t be the same without the Nativity scene above the shoe shop which includes a polar bear. This year brought a new tradition to the town centre. Above the bank, the lit up message has a few problems with its lights and position, so that when viewed from some angles, it wishes everyone ‘Season’s Cretins’. I wish I weren’t cynical.

I hope everybody got to see ‘Strictly Clog Dancing’ culminating in a flash clog dance in Newcastle at the Grey’s Monument (yes, Earl Grey, for it is he. The monument is for the Reform Act, not the tea). The Newcastle Kingsmen featured a Rapper Dance and the sharp eyed might have spotted Pip and Jo.

Now, will the new year bring us new sessions? Will it invigorate those that exist? We shall have to wait and see but there is definitely a ground swell for a really good pure English Session (yes, we can debate pure and English for a long time).

Hope to see some or all of you at the Startled Stoat and Well Intent for some tunes.

Whither Sessions? There are sessions happening all around us it seems but some are unfeasibly far away (Sheffield!) or I think Lewes is probably  a tad far especially at this time of year although some hardy souls will travel great distances to sessions and God bless them. The local sessions are really a bit of an oddity and definitely have ‘flavours’ or shades. Much like the protestant church, all believe in ostensibly the same thing but like to do it their way. You can imagine the Methodist sessioneers with fire and brimstone hurling damnation on those who stray from the straight and narrow through to the evangelists sessioneers – the happy clappy brigade who bring cheer to every gathering and are more likely to be accompanied by dogs on string and some avant garde approaches to what we might call music.  I prefer to claim agnosticism.

Just as with the church, there is a definite polarisation to these prayer meetings so that the crossover is not great except at the great synods of Broadstairs or Sidmouth and a little occasional community work in between. Note to self. Must get out more.

There was a definite news embargo from the Shackled Yak (or Well Intent) for a while. From the Hops festival until now really. The press secretary asked for a cloak of secrecy while the Watershed Band caterpillar went into a chrysalis and emerged as ….. the caterpillar Abbey Capers. Without Six String Shelagh from what I gather. Also, I am forbidden to mention in these humble pages when they who must not be named will be away as it apparently might attract burglars. Of course that includes any Thursday night as everyone knows. Doh! I’ve given the game away.

The Bear Cubs go from strength to strength and the Conyer Session (at Teynham) on a Tuesday is well received and attended. There is a bit of a flux with some of the sessioneers and part of that may be the format, although I have to say that those who have started coming recently like Pip and Jo, regard it as a proper session so are not gurt afear’d to dive in with a set of gorgeous tunes when the fancy takes them. Once that happens, others follow suit.

The Festival Band has done couple of Charity Evenings recently which have been good fun. Burmese Orphans at St Margaret at Cliff and Help for Heroes at the QE School. I really enjoy the big band sound with Bass, drum and Lead guitar. Thanks to Larry Klatzko for introducing me to the Mackie SM150 personal monitor / active speaker. Now I can hear myself whatever the mix on the foldback is doing!

What of the Irish sessions? Well, they continue to hang on by their fingertips and refuse to give up. The regular George at Molash (The Startled Stoat) is precariously balanced, depending as it does on people who live some distance away. The Sunday sessions are strange though. By far the nicest of them is the Unicorn at Bekesbourne. Very relaxed but some good music especially when Andy Renshaw and Fred Holden come along which is quite often at the moment. The Phoenix is Ok but hasn’t really got any take off yet and of course the Well Known Spoonerism is as we know due to shut again quite soon so I doubt there will be another session there. They vary by locale and who can make it on a Sunday night so each one is different.

A lot of sessions have happened in recent weeks because of that well known phenomenon, the warp in Folk Space caused by the summer folk festivals. Inevitably there are sessions.

This year did not see the serpent, nor dogs, nor huge numbers of Morris musicians. There were characters of course. Such as the gentleman who slipped into a spot at the table in the Bear recently vacated by a musician on a refill mission. His only weapon was a pair of teaspoons which he insisted on using as drumsticks on the table itself! I asked him very politely if he could modify the intensity of the strike and he promptly upped and left without a word.

There was an Irish session at Bekesbourne which from an unpromising start of 3 became a very enjoyable session of 5. Unusual as well because of the mix of instruments which sounded just fantastic together to wit: one fiddle, one mandola, one mandolin, one whistle and one guitar. Nice sometimes not to have to play something loud to be heard alongside the reed section.

A very full session at the Bear on a regular Thursday was excellent bordering on chaos at times but with over 20 musicians oddly dispersed, it is difficult rein it in.  Some solo performances – very good but not really session fodder. Some quite odd people whose looks were out of place with the melodeons they carried and worried from time to time. Good to see Pip and Jo again though and some excellent tunes as you’d expect. Pip says don’t forget Hobgoblin is now open on Lower Bridge Street in Canterbury. 

Of course the Festival Band was out in full on the Sunday. Setting up as we went and playing initially to 1 man and his dog it soon livened up. I do enjoy playing with a bass and rhythm section. And thanks to Andy for lending me the prototype Oberon Electric Banjo to use. A frightening thought for some of you I know – an electric banjo. An instrument of mass destruction but fun!

This afternoon is a marathon 4 hour session in the Green Berry at Deal as part of the Deal Maritime Folk Festival – another casualty of short sighted councils like Faversham Hops Festival.

And so to session.

Alright! It’s been a month I know but I’ve been busy …… being retired. You have no idea how busy your life can get if you’re in that nice cossetted world of gainful employment.

Strangely, not everyone saw the ‘Old George’ through the same rose tinted beer glasses as I (I refer readers to the previous post). I had of course forgotten about the odd Morris men who strayed in and the sometimes large number of instrument worriers who joined in. But I didn’t mind that. I didn’t mind the snare drum. There was a camaraderie and a sense of belonging that was lost. Still, the sound and quality of music has definitely continued to improve from those humble beginnings.

Whilst musing on the future of the Mixed Lumpy Session that is currently assailing the Thursday night topers at the Bear, I was struck by two thoughts. One, that it’s rare to have two thoughts … oh, alright, three thoughts. The second was ‘Where do I or don’t I want to play?’ and third, ‘What do I or don’t I want to play?’

The choice of venue is important. Although a wide-ish range of accommodation is tolerable (one must suffer a little for ones art), cold upstairs function rooms with no bar and no audience is definitely out. We don’t ask much we sessioneers but it is infinitely preferable to go to a place that wants you to play rather than tolerates you playing.

As for what –  in an ideal world, I would like a nice English music session to complement the Irish. OK. It can be a little mixed and eclectic. I’m rather fond of some Swedish, Finnish, Norwegian, French, Scottish, Shetland American and Welsh tunes (not to mention other places – like Spain. Damn. I said I wouldn’t mention it). Many tunes from these places and a few Irish too have passed into the corpus of ‘English’. Is that controversial? But for a session it must have No Songs. Not that I dislike songs or singers, I’d just like a session for musicians.

Are session leaders important? The Irish session functions quite well without one and the English session – well it’s complicated. But generally it does have one. I don’t think it would work very well without one but a lot depends on the players.

Time for tea and then out to the ‘New George’ (which began in the reign of Henry VIII I believe!).