A Session Diary

As you know, I usually start these posts off with an historical fact or seasonal aside. It turns out that nothing at all remarkable happened today. So maybe today is remarkable for its unremarkableness. Or so I thought.

Apparently Edward 1st (longshanks) became King today in 1272 and England declared war on Holland in 1780 for the 4th time and gained the East and West Indies as a result. There was pretty much a big argy-bargy at the time with France, America, Spain and Holland. Ah, the stuff of folk songs. All together now, Arran sweaters on and fingers in ears. Edward 1st was not universally loved for it was he who made parliament a permanent institution. And he was unkind to the Scots. More folk songs.

The relaunched, revamped Irish Session has been going very well. There are encouraging signs of growth (no, not like the economy) with some new and different faces. It will take a while for all the hard work to filter through but it is being widely advertised in the local press and on the KentFolk web site and theSession.org site.

The session brings forth an array of recording devices as the start of each session is a gentle run-through of selected sets or tunes and this is ideal for practice. The ensemble plays the same tunes or sets later at normal tempo when the ‘real’ session gets going.

On the subject of recording devices at sessions in general, I have seen a wide variety and tried a few myself. There is the traditional hand held cassette recorder, the something-plugged-in-to-the-ipod, the dictaphone (microcassette and digital), the minidisc recorder and the digital recorder. I’ve also seen a laptop being used. Now with all these devices, the storage medium is not drastically important as far as recording quality goes (give or take), but the microphones are. The other considerations are:

• battery life
• recording time
• portability
• ease of navigation of the recordings
• ease of use

The traditional cassette recorder (Play/Rec FF, REW)  is therefore hard to beat except on ease of navigation of the recordings which is an inherent problem of linear tapes. Sod’s law says the recording you want is at the other end of the tape. They also suffer from not knowing whereabouts in a tape you are, especially if you’ve taken one out, put another in and messed around with the counter reset. Oops, there goes the priceless recording of when you met Willie Taylor and in its place is a bloke who wandered in with a djembe with a vague Irish tune in the background. Don’t mention the wow and flutter or the head alignment. Bear in mind that the Tascam 4 track (on cassette) did more for affordable reasobale quality recording than any other device. Their modern one is digital and that’s the way to go if you have a computer. Stereo, stunningly good noise-free recording etc. etc. Some of them will do 26 hours of recording on 1 AA battery (its true – yamaha and olympus both) while others do about 4 hours and worst of all, only have a rechargeable internal battery! Useless for sessions really.

Now there was much stirring of interest when Beau announced that our old haunt, the Anchor at Wingham, the well known spoonerism was open for business with an Irish landlady and a sound recordist husband. Having been disappointed on previous occasions by going back to old venues (particularly the George on Stone Street), we approached this one with caution. The sessioneers consisdered it in the snug and agreed to try a one-off to test the water. Everything was set. It was a Thursday which meant foregoing the English Mixed Lumpy. And what do you suppose happened next boys and girls? You’re right. It was cancelled. Some story about not sure whether their music licence covered Thursday nights. Why not just say no thanks and be honest? We might try again.

Anyway, as a result I did get to go to the English Mixed Lumpy which is the Bear and it was a normal session going round the assembled musicians who wanted to play. Event of the evening must be Barbara and friends teaching some Romainians the Gay Gordons while the rest of us played Cock of the North (ABAB ad nauseum). There was a bit of Mazurking going on and there would have been some Bourée-ing if any of us could have come up with a Bourée. There were some faces there not normally seen when it isn’t a session, but a good smattering of the regulars as well. Songs were included and I hope a good time was had by all.

Greetings Sessioneers!

A new home for the Session Diary, and its own URL – sessiondiary.com.

I hope we will be happy in our new home, and thanks to blogger for starting us off.

This week, I have been exercised by certain activities concerning an upcoming festival. Now, it’s well known that some of the committee don’t like Folk Music so it’s been a bit of a battle for a few years to keep the Folk community happy and active amongst the rest of the events.

So, the committee asked for an evening Irish Session and two mixed lunchtime sessions. And we agreed. Hoorah!

What exercised me is that the programme fails to mention any one of the three sessions or their leaders. They can do it at Broadstairs. They can do it at Deal. They can even do it at Tenterden. Despite the organisers have a famous brewery in their locale, the likelihood of their being able to organise a drinking festivity in the establishment must rank near the lower end of the scale. The best they could offer was a three day ‘Come all Ye Session’. God alone knows what that will attract. I don’t want to be a session snob, but at any festival you get the instrument worriers (usually melodeons), the cutlery percussionists and the 3 tune repertoire. There are many fine players who would gather for a tune if it were properly advertised. Add to that Blues, Singers, Jazz, Country etc etc…

I am in wholehearted favour of these things but anyone with an ounce of sense would lay them on at different venues and advertise them properly!

I know that each and every one of the members of the committee is well meaning, so I assume that it is a case of committees blighting the planning process. That, or there are some very strange non-folk members who have way too much control.

And that’s a shame, because a lot of goodwill will be lost. Most, if not all the sessioneers give up their time, usually for free or at most for meagre expenses and travel from as far as the Medway towns and Folkestone. And we are not talking of ‘enthusiastic amateurs’. We are talking about people who have shown a certain dedication to Folk, their instrument and the music over a long period of time. Most have been in bands and recorded somewhere along the line and all of them are worth listening to.

Now to get this for free and not even put it in the programme is taking the recycled beer. Even worse is to lump Irish Session and Mixed English Session in as just a ‘Come all Ye’ pub session. Barbarians.

I offset this with a fantastic gig last Saturday for a Scottish Wedding which was highly enjoyable for all. The Irish Session was cancelled this week because there will be one (should be one) tonight and Thursday was a practice for Saturday and Sunday.

Never mind, in two weeks time, it’s Deal.